BC said that this song "didn't fit" on Adore.
--Rolling Stone, 1998/12/24

last chance to make believe in always and all it seems
train wrecks hide underneath your umbrella
set the frame destiny on this first name soliloquy
tired symphonies play downward

let me give the world to you my love
let me give the world to you my love
let me show you what i'm thinking of
let me give the world to you my love

so far
so far
so far

lovers form dead excuse
and blur the line with soul abuse
my lonesome lines just have no use around here

new skin may hold you in
but the old skin still turns us on
flicker fades the nitrate dawn to wear

let me give the world to you my love
let me show you what i'm thinking of
times are hard and we're the last in line
'cause in my grief i'd forgotten what was mine

no i wouldn't change a thing
no i, no
no i wouldn't change a thing about the way you are
the distance here, the speed so far
so far
so far
so far

let me give the world to you my love
let me give the world to you my love
let me give the world to you
let me give the world to you
let me give the world to you
let me give the world to you
let me give the world to you my love

so far
so far
so far

Mar 1998 - Sound City Studios
Nov 1998 - Oct 1999 - Chicago Recording Company
Late 1998 - Sadlands (Billy's house)

Adore   (buy )
Machina/the machines of God (x2)   (buy )
Machina II/the friends & enemies of modern music
Live at the Viper Room 1.15.98

Adore Demos II
The Aeroplane Flies Underground
Another 17 Seconds
Enter Adore
Live at the Viper Room
Live in Hamburg
Machina Acoustic Demos
Radio Love Transmission
Rockin' You Like A Hurricane
The Viper Room Debut

total: 15 (5 on official releases, 10 boots)

4353805

Billy Corgan

From Machina II. Was originally recorded for Adore.